哈比王传奇

10月13日 CBA季前赛 广州vs江苏

暂无简介

千江有水千江月2009

「千江有水千江月」是敘述台南黃勝璧師兄的故事，本劇跨越半個世紀，遠赴苗栗、安平，以雙機實景拍攝。主要演員包括有：金鐘獎得主阿布、金鐘獎得主太保、金鐘獎得主張復建，以及金曲歌后孫淑媚，而且，久未出現在螢光幕前的倪淑君也來跨刀演出。故事從五O年代的土角厝開始發展起，勝璧師兄生長在窮苦的農村家庭，為了家計，從小每天凌晨三點就必須下田，而且父親脾氣火爆，在養家的龐大壓力下，帶給家人鬱悶情緒，孩子們經常活在父親打罵的恐懼中。勝璧從小積極幫家裡賺錢，長大後娶了一位賢能的妻子莊罔受，罔受師姊勤儉持家、事親以孝，夫妻二人胼手胝足，一路攜手邁進。他們擺過麵攤、住過豬寮厝，後來擺地攤賣童裝、賣女裝。隨著夫妻倆長期的勤儉，開始有了積蓄，勝璧決定結束多年的擺攤生意，開工廠投入成衣代工。七０年代，台灣經濟起飛時期，勝璧成衣事業做得有聲有色。此時，勝璧開始想到要回饋鄉里。他感嘆年幼時的環境無法全心求學，特別關心貧苦家庭子女的教育機會，於是在菁寮國小設立「黃氏清寒教育基金會」，以及於台南縣後壁鄉成立「黃居萬教育獎助學金」，補助家境清寒又認真向學的學生。不只如此，勝璧賑濟貧戶，回饋社會，連賑濟的衣物尺寸，都是經過套量的，可見其愛心是多麼的深厚、寬闊。一次勝璧應陳文全師兄之邀去花蓮，見到了上人，從此發心投入更多的慈濟工作，夫妻二人也從訪視的過程中，看到這麼多社會角落的病、苦、貧、乏，進而發現自己的幸福。勝璧很疼愛妻子，結婚幾十年，夫妻倆從沒吵過架，連早餐都是由早起的他算好時間煮給妻子吃的，對罔受而言這是難以言喻的幸福滋味啊！勝璧及罔受悉心照顧父母，讓黃父黃母覺得很窩心。上人曾經勸解地告訴他：父母再不對，作兒子的都要孝順！感恩父母生我、養我，我跟他們有緣，就是不好的緣也要善解。於是，勝璧學會了感恩與寬容，他認為：肩頭擔父母、就算破皮還是要擔；因為他們是我的父母！幾年內，黃母、黃父相繼過世，但是期間勝璧、罔受的孝心，已經烙印在孩子們的心中。一次突來的昏倒，讓黃勝璧不得不去做身體檢查，卻檢查不出有什麼問題，一向健朗的勝璧，也不清楚自己為什麼。再一次昏倒後，這位菩薩離開人間，卻留下了完美的行誼典範，和我們的記憶並存……勝璧師兄曾說：「進入慈濟二十年，我沒有退轉。我相信自己這一世和下一世都會是慈濟人，我要緊緊抓住上人的精神和理念，繼續不斷的渡人。」相信勝璧師兄的大愛會長存人間，猶如月照千江水，千里綿延不止息。

萌系男友是燃燃的橘色

本片改编自玉岛Non的人气漫画，讲述了容易害羞但工作认真的消防员蛯原恭介与孤独的女高中生佐佐木萌衣之间笨拙的恋爱故事。

海边升起一座悬崖

陨石撞击地球引发海底火山喷发，江边小镇随时有被海水倒灌的风险，人们纷纷逃离。念念在临行前一天，决定跟儿时好友告别，却意外跟小镇上的人们相遇，这座城市在记忆里的样子渐渐清晰起来。

丹麦小村教堂

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

11月9日 23-24赛季NBA常规赛 快船VS篮网

绝境穿越

该片是一部青春、励志、冒险、动作、友情与爱情的故事。 熊志酒店的胡言乱语，让原本已经有所察觉的李娇更加确信熊志喜欢的人是她从小一起长大的好姐妹向梦，李娇决定去她和熊志爱情开始的地方结束这段爱情。 何梦坐在帐篷里，听着雨滴敲打帐篷的声音发呆，她回忆起小时也是这样一个大雨天，自己生病发烧，李娇违反学校规定翻强出去为自己买药，回来时正好被师父看见，于是遭到了一顿打，当李娇喂何梦吃药时，何梦看到了她手上的伤痕，不禁流下了眼泪。 何梦从回忆中回到现实，她默默擦干眼泪，心里祝愿着李娇平安无事。 途中迷路受伤向向梦求救，得知消息后向梦联系以前玩cs的小伙伴默写、熊志、李贺、秦微前往营救，故事惊险曲折不断。。

红月亮

豆豆（左小青 饰）是一位天真单纯的少女，惨遭村里暴发户土改的强暴，还不幸怀上了他的孩子。豆豆想要为自己讨回一个公道，村长告诉豆豆，如果豆豆不追究土改犯的罪，那么她不仅可以得到两万元的赔偿费，她的兄妹还可以到土改的工厂里工作，这对家庭情况非常困难的豆豆来说是不小的福利。但如果豆豆坚持要告土改，最终导致他被捉拿归案，那么土改的工厂就要倒闭，工厂里几百个工人都将下岗。 　　豆豆的父亲禁不住金钱的诱惑，想要把事情私了，豆豆的男友也因为这场风波最终选择离开了她。自暴自弃的豆豆决定嫁给一位电影放映员，谁知道这个男人并不是真的爱她，只是贪图她的赔偿金而已。

八星抱喜

夏凡（龚琳娜 饰）因为对丈夫失望，所以建立了一个名叫抱喜的网站，意图通过男人帮助女人改造男人。不得志的歌手谭冠荣（甄子丹 饰）赋闲在家，但空姐女友（应采儿 饰）不理解自己的苦衷。他的抱喜任务，是冒充富豪陪同遭家暴的歌星宋秋波（吴君如 饰）参加派对，向宿敌示威。狡黠律师黄百鸣虽然在打官司上非常在行，但是却因为长年疏于照顾，与女儿苏菲失和。他的抱喜任务是帮助富家女陈思思（杨幂 饰）选择适婚男友，以继承亡父的遗产。建筑工人彭坚（古天乐 饰）因为身份卑微，追女孩屡屡受挫。他的抱喜任务是为摄影师Julie Sun（陈慧琳 饰）充当男模。作家华一声（杜汶泽 饰）善于描写爱情，但是因为相貌平平不敢以真面目示人。他的抱喜任务是帮助一名失明女子谈笑（熊黛林 饰）感受爱情。这四个男人能否顺利完成他们的抱喜任务呢？……

我和她的传奇情仇

1936年，日寇紧逼华北。十年前因枪杀青岛兴安帮主薛安泰成名的九龙商会少爷韩志杰，因母亲被日舰炸死而对日仇视；他出其不意夺回被日商藤泽强占的码头，本想借码头贩毒走私的藤泽视韩志杰为眼中钉。薛安泰遗女萧岚忍辱接近韩志杰想报父仇，机缘巧合却与韩志杰相恋；九龙商会大佬曾念安因利要杀韩志杰；韩志杰的好兄弟厉晨星因萧岚也与其反目。韩志杰陷入重重杀局，九死一生，萧岚舍生忘死帮他化险为夷。不料在韩志杰和萧岚新婚之时，韩家却遭藤泽灭门，并嫁祸萧岚，有情人反目成仇。七七事变爆发，韩志杰和萧岚在中共的引导下，放下恩怨，投身抗日洪流。

美人皮

晋宁城中男子接连死亡，身躯干瘪，死相凄惨，传言是女妖魅惑索命。乔生回城路上救下少女宾娘，宾娘对乔生心生爱意，但乔生却与连城情投意合笃定终生。惦记连城美色的王化成让父亲出面提亲，史孝廉应下这门亲事，连城得知誓死不从一病不起。妖猫潜藏，人皮为衣，谁化作了妖魔之相，谁披上了绝美皮囊？