浪漫主义者

在大学期间，莱拉（安娜·帕奎因 Anna Paquin 饰）和劳拉（凯蒂·霍尔姆斯 Katie Holmes 饰）是一对无话不谈的好友兼室友，而如今，劳拉即将和大学同学汤姆（乔什·杜哈明 Josh Duhamel 饰）踏入婚姻的殿堂，身为死党的莱拉怎能不出手相助？于是，伴娘这一光荣的身份便降临到了莱拉的肩膀上。 　　可是对于连男友都没有的莱拉来说，目前的处境让她十分的尴尬，不仅仅是因为自己单身的状态和曾经暗恋过汤姆的事实，还因为即使是现在，她还对新郎汤姆恋恋不忘。对于莱拉的尴尬，沉浸在幸福之中的劳拉并未察觉，而随着婚期的将近，莱拉感觉自己变成了一个正在倒计时的定时炸弹，即将爆发。

后门

徐天鹤（王引 饰）和妻子（蝴蝶 饰）结婚多年，夫妻两人的感情一直非常的恩爱，他们唯一的遗憾就是无法拥有一个属于他们的孩子。邻居家一个名叫阿琳（王爱明 饰）的小女孩，因为不受父亲和继母的喜爱，常常孤独的一个人在后门玩，她唯一的朋友是一只小猫。 不忍心看到阿琳寂寞的样子，徐天鹤夫妻两人经过同邻居的协商，决定领养阿琳。在徐家，阿琳终于感受到了家庭的温暖和亲人的呵护。就在一家人其乐融融之际，阿琳的亲生母亲史小姐（李香君 饰）忽然现身，想要带走阿琳，这一举动自然遭到了徐天鹤夫妻的拒绝，可是史小姐实在舍不得女儿，于是以探望孩子为理由，成为了徐家的常客。

我的章鱼老师

在花了数年时间拍摄地球上一些最危险的动物后，克雷格·福斯特疲惫不堪、情绪低落，并且家庭关系也陷入混乱之中。他决定暂停自己的事业，并回到家乡南非开普敦，重返海岸附近的海藻林，这里的神奇水下世界是他的原点。近十年来，克雷格每天都要在冰冷的海水中潜水，在地球上捕食者最密集的地方之一脱掉潜水服和潜水装备。他遇到并追踪的普通章鱼最初是他的研究对象，然后成为了他的老师，向他展示了人类从未见过的东西。《我的章鱼老师》拍摄用时超过8年，拍摄了3000个小时，记录了独特的友谊和互动以及前所未见的动物智慧。

杀死那只野兽

Emilia,17,arrivesatherAuntInes’hostelattheborderbetweenArgentinaandBrazil,lookingforherlonglostbrother.Inthisluxuriantjungle,wherelocalmythsandlegendsabound,adangerousbeastbelievedtobethespiritofanevilmantakingtheformofdifferentanimalsseemstoberoamingaround.Onajourneytosexualawakening,Emiliawillhavetoconfrontherpastinordertokillthebeast.

丹麦小村教堂

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

大饼的莎士比亚

女大学生张然因和父亲赌气，来到山村小学支教。学生大饼在几个月前，搭救了一个来户外探险的外国人PETER，养伤期间PETER做起了学校的外教老师。张然发现学生们对艰辛的生活充满了乐观，她在和同学们以及PETER的交流中，逐渐理解了父亲对自己的感情。

女人步上楼梯时 女が階段を上る時[电影解说]

妈妈桑圭子（高峰秀子 饰）是银座Club的老板娘，年届三十，正值人生转折期，面对着再婚与事业的抉择犹豫不决。圭子早年丧夫，婚姻一直没有起色，事业方面生意也日渐冷清，心境萧条的她只将生活重心放在照顾年轻一代的公关小姐純子、雪子们身上。Club年轻的经理（仲达代矢 饰）暗恋圭子，但以事业为重的他不愿表白，则通过与雪子的肉体关系来淡化心里对圭子的情愫。然而，难以控制的情感让他最终鼓起勇气表白，心境苍凉的圭子会接受吗？ 战后日本大众悱恻的心境在大师成濑巳喜男冷静的长镜头下表露无遗，该片风格是浓重的现实主义色彩，以一个女人的独白贯穿始末，具有浓郁的文化气息。

沉睡的真相

这个新项目围绕着一个堕落的高级警官和一个有抱负的年轻检察官展开，他们有两个截然不同的动机来打开一个已关闭的谋杀案。但当他们这样做的时候，结果却是潘多拉的盒子。随着血腥的线索似乎将他们引向更深的警察和司法系统，双方都怀疑这是一场阴谋。还是一切都回到了18个月前震撼小镇的恐怖袭击?

傀儡

聚焦犹太传说中的怪物“泥人”，讲述一个拉比(智者)的儿子的妻子Hanna为保护她的家族，抵御外来侵略者，召唤了一种极其危险的存在。而她从泥土中创造并赋予生命的这种东西，却以可怕的方式与她悲惨的过去相连。Hanna根本不知道：她创造了一个多么冷酷的怪物。

旋风书院

镇国公造反，民不聊生，女将军古采兰舍命保护年幼的太子，杀出重围，并化身为老师，隐姓埋名藏身在了南方柳江镇的旋风书院里，以图东山再起。柳江镇的首富柳员外的独子柳淳风，外形俊美，一身好功夫，还擅长音律，可惜性格放浪，整日无所事事。柳淳风早听说旋风书院江河日下，校纪松散，为了轻松悠闲，坚持选择旋风书院就读。同时，赵德先、上官语、沈飘飘、林英雄等几个镇上年轻人，也是抱着各自不同的目的，选择了旋风书院。旋风书院连续输掉多年比赛，书院牌子就快不保。师生们奋力备赛，誓要赢得今年的比赛，却...

隧道尽头

华金（莱昂纳多·斯巴拉格利亚 Leonardo Sbaraglia 饰）是双腿瘫痪的残疾人，终日要与轮椅相伴。然而，华金同时也是一位经验非常丰富的工程技术人员，精通机械学，还拥有着比常人灵敏数倍的听力，凭借着自己出类拔萃的专业知识，华金将自己的生活安排的井井有条。 　　一天，一位美丽的单身母亲波塔（克拉拉·拉戈 Clara Lago 饰）带着她6岁的小女儿贝蒂（Uma Salduende 饰）前来投宿，母子两人的到来让华金原本苍白的生活变得生动鲜活起来。一次偶然中，华金得知了自己的房子里住着一伙劫匪，他们正打算利用在房子地下挖隧道的方式来实行他们抢劫银行的计划。

净网特工

从脸书公司的网站中，清除“不合时宜”内容的内容审查员，人称“清洁工”。本片首次独家披露网络审查作业的真实现状，描写社交媒体所存在的风险，还揭露了审查作业对“清洁工”造成精神创伤的事实，并聚焦世界各国日益高涨的言论自由论争。采访从脸书位于菲律宾的“清洁工”工作据点开始。被聘用的多为会多国语言的学生精英。他们以秒为单位，审查世界各国用户发布的数以亿计的图片视频，删除色情、暴力内容的帖子。有时也会误删一些具表现性、新闻性、艺术性的内容。他们被严禁向家人透露工作内容。社交媒体的发布者和管理者，大半是业余人士，由用户生成的内容，使得平台异常脆弱，存在很大风险。必须针对不同文化、宗教、价值观以及时代等要素，做出不同对应。与此同时，审查被认为是“威胁表达自由”，“导致政治迫害”，对各大社交网络服务平台的批评，也在日渐高涨。本片潜入互联网的阴暗幕后，曝光秘密的数字保洁业的内幕，揭示是谁在控制我们的所见所闻和所思所想。