我们的青春岁月

二十世纪六十年代初期，数万上海青年来到新疆军区生产建设兵团支援边疆建设，这些年轻人满怀豪情，从黄浦江畔来到荒凉的戈壁大漠投身到兵团的各个团场参加生产建设，奉献青春，甘洒热血为新疆和兵团的发展做出了历史性的贡献。

决味厨神

明朝中期，民以食为天。各地的厨神争霸赛如期举行。广东省的名厨范成舟正与他的对手进行着激烈的比赛。这场比赛范乘舟的菜品更胜一筹再次获得冠军。喜好招摇的他在赴京报到前被一伙山贼劫持了。山贼的头领不是恶霸也不是杀人魔头，而是一名想要开饭店的女帮主。吃过范乘舟做的菜总是让人异想天开。女帮主彭小仙也不例外，就把他关了起来。一心想要下山的范乘舟答应教彭小仙做菜，好趁机逃跑。可时间久了，两人产生了感情。加上二当家的篡位之心被范乘舟发现，也只好想别的办法离开山寨。眼看赴京报到日期就要到了。范乘舟以带着彭小仙下山为由赶往京城。可京城里已经有一名“范乘舟”报到，为了验明正身范乘舟想出了皇宫前的对决来证明自己。在彭小仙和山寨里的朋友们的帮助，一场美食的碰撞就此展开。自信的范乘舟凭借自己独特的技艺，赢得了比赛。

迈阿密的一夜

获得奥斯卡最佳女配角奖的演员雷吉娜·金将执导电影《迈阿密的一夜》（OneNightinMiami），改编自肯普·鲍尔斯处女剧作的舞台剧。现在肯普·鲍尔斯已经将原本的舞台剧剧本改写成了电影剧本。故事发生在1964年2月25日的夜晚，年轻的卡修斯·克莱击败了桑尼·利斯顿成为世界重量级拳击冠军，却因种族隔离法律无法留在迈阿密的岛上，只能在市郊的汉普顿旅馆与三个朋友激进分子马尔科姆·艾克斯、歌手山姆·库克和足球明星吉姆·布朗共同庆祝和过夜。

惹火狂妃：王爷放肆宠 动态漫画第二季

世代相传的诅咒，他注定孤独一生，可却偏偏遇上了苏流安那个闯进人心的妖孽，开始了漫长追妻路。“主上，有人要推主母下水！”不急，扔井里泡六个时辰去。“主上，有人公然对主母不敬！”“不急，到最热闹的街上给剁碎了去。”“主上，主母又溜了。”“不急……等等，哪个方向？！”他是权倾朝野的缪王、富可敌国的商家家主，他一人之下，呼风唤雨，只手遮天，却在追妻路上掉了节操。

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

隐形淫魔之勇擒贵利双柴

男主角强仔因无意中食下过期春药而变成隐形人！呢条友竟然藉著隐形呢个优势去偷咸！后来更为了要营救被贵利佬禁锢之大波老婆，…而搅出一连串荒唐画面！故事往往令人意想不到…就在隐形人强仔赶往营救大波老婆之同时，被贵利佬禁锢之老婆，在不知不觉间竟与贵利佬发生一段畸恋，令故事更加复杂

厉害的女老师

都鎮和課外補習老師豔珠學習中，實際兩人有發生過關系，都鎮纏着希望做最後一次，豔珠說是最後一次，然後和他享受做愛。蘇拉開始懷疑都鎮要在老師家補習，讓以後補習來家裏，豔珠來到後确認了沒有人，因爲天氣熱先沖涼了，此時回家的學生爸爸江炫，碰到了和穿衣服的豔珠，一個人獨處時想象和豔珠做愛，豔珠看到學生爸爸回來，在這裏偷偷做愛很刺激，誘惑都鎮做愛，在沙發上入睡的江炫，夢到自己和蘇拉做愛，想象自己被蘇拉撲倒。

一九四四 1944

末基劳：英雄崛起

云河

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叛逆卧底

　　警方卧底潜入黑帮核心，展开一场斗智斗勇的大决战。南因一次偷车失手，被判入狱三年。出狱后，南决心脱逃以往，从新做人。南在车房工作时...