前一部的主人公Jay、Neil、Simon与Will再次相聚，前往澳大利亚度假。
2012年2月，东京铁塔上空出现了巨大的数码蛋。就在本宫大辅（20岁）和V仔兽修行拉面技艺的时候，遇到了虽然拿着有裂纹的数码器，但身边没有搭档数码兽的迷之青年——自称“我没有数码兽，我的搭档数码兽被我杀了，我是世界上最初和数码兽建立搭档关系的人类。”
受夠父母的16歲少女（程希緹飾），闖入一座詭譎的奇幻遊樂園，她表裡不一的爸爸（温昇豪飾）與別有居心的媽媽（曾珮瑜飾），這對有名無實的夫妻，竟然被一群詭異少年綁架到樂園裡關起來...
内详
这是一部反映公安战线基层派出所民警“对党忠诚、服务人民、执法公正、纪律严明”精神风貌，在最普通岗位上书写英雄凯歌的主旋律影片。影片中绝大部分的情节都是根据真实故事改编。
Olivia Thirlby is the eye at the centre of a very sexy storm in this warm, hysterically funny dramedy. When her young filmmaker breezes into town, she comes riding a wave of effortless sexiness, which carries her through a net of passions-gone-wild as men queue up to fall at her feet. Though the film could’ve done with more depth, it wisely plays down the angst and is content to sit back as sparks fly between its central players – including Rosemarie DeWitt and John Krasinski.
影片讲述几个相互之间完全陌生的人，发现他们被一个精神有问题的陌生人幽禁在他的孤岛上。他们不知道即将发生什么。接下来，他们被迫接受严酷的生死考验。想要生存下来，他们必须阻击来势汹汹且极端危险的鲨鱼。黑夜笼罩，在泳池边站着一个高大的男子，他被铁链绑起来，双手血淋淋，不明真相的他拼命挣扎，可是还是陷入了未知的绝境，究竟是什么原因让这几个陌生人要面对如此恐怖场景？而这场对抗鲨鱼的生存游戏到最后又有谁可以活下来？
Mark(NoahWyle)andPhoebeareinthemidstofabreakup.Miguel|abulliedteenager|getsanillegalgunandaccidentallyshootsMark.Inrealtimewenowexperiencetheconsequencesofgettingshot.Usingmultiplescreentechniques|weviscerallygothrougheverythingthecouplegoesthrough|andatthesametimeseehowtheboytriestoavoidgettingcaught.Thestorytrackstheeventsofwhatthemedicalprofessioncallsthe"goldenhour"withalleffortsofEMTsandERteamsattemptingtosaveMark’slife.WeshareMark’sshock|pain|anger|fear|humor|guilt|griefanddesireforvengeanceandpotentialredemption|andwewatchhowthisalleffectshistroubledrelationshipwithhiswife.WealsotrackthestrugglesMiguelhasfacinghisresponsibilityfortheshooting.Afterthathourofterror|wediscoverthesethreecharacters5monthslaterandexperiencehowtheirliveshavebeenturnedupsidedown|leadingtoaconfrontationwiththethreeofthemwhenMiguelasksfor...
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
为了找出“西城学院”因校园小树林诅咒而失踪的校花，众人发挥所长，想尽各种办法破解树林诅咒的传说，为了寻找出校花失踪的原因，由刘倩妏饰演的精明女孩，透过灵敏的思维，发现隐藏在诅咒背后的巨大秘密，究竟她的精明是福是祸，会不会为她带来意想不到的危机呢？
发财无门的乔世杰假扮成年轻富豪带着自己的度假村计划到枫庭饭店碰运气，遇到隐瞒身份做酒店副理的真正富家女唐楚楚，两人为替一位台湾老人寻亲而走得很近并相互产生好感，期间唐楚楚屡遭酒店公关经理方美娴的刁难都在乔世杰的帮助下脱困，就在两人感情逐渐升温的时候曾经伤害过唐楚楚的前男友史提夫高调出现，心怀叵测的史提夫用尽手段终又使唐楚楚回心转意，而此时唐楚楚的真实身份浮出水面，乔世杰伤心之余并没有放弃，并设计令史提夫将自己的阴谋公之于众，一切误会冰释，乔世杰的度假村计划资金有了眉目，和唐楚楚的爱情也有了结果，俩人相聚在“幸福门”......
女演员夏珊拍戏遇车祸。昏迷的冥冥中，因极度入戏，竟与剧中人物进行灵魂对话。因她在戏中扮演革命志士林觉民的爱妻陈意映，先人的壮怀悲情，如强力的灵魂意志，让她对革命、对理想、对自己现今的种种迷思都在一种流动意识中浮沉过滤。烈士遗书感召，甚至使她宛若身临其境，并最终苏醒。