一对三十出头，相爱八年分手三年的前任，在三十岁重新开始，却以甲乙方的身份在职场错位重逢，借由修复失去的爱情而得以重新审视自己，与自己，与过去握手言和。他们是夹心层。
海崎新太（27岁）在作为新毕业生进入的公司工作了3个月就辞职了。之后他的就职活动也不顺利。双亲寄来的生活费也中断了，不得已只好回到乡下。能够倾听他烦恼的朋友和女友全都没有……穷途末路的海崎面前出现了一位神秘人物·夜明了。夜明向海崎提出，要他参加以尼特为对象的社会复归程序“ReLIFE”。其内容是，利用神秘的秘药，仅仅让外表回复年轻，并在一年内以高中生的身份去读高中——。
现代科技飞速发展，各种通讯手段越来越先进，极大拉近了人与人之间的距离，也让人们的隐私无处遁形，甚至生命也受到极大的威胁。 某高中，近段时间流行死亡连锁信，该信件通过邮件发到他人的电脑和手机上，一经收到应立即转发，否则将有生命之虞。电脑游戏迷内尔·克纳斯（Cody Kasch 饰）偶然收到一封连锁信，他和姐姐瑞秋（凯瑞琳·威尔森 Cherilyn Wilson 饰）玩笑般地发给了约翰尼·琼斯（麦特·柯汉 Matt Cohen 饰）、杰茜·坎贝尔（妮姬·里德 Nikki Reed 饰）、丹特等好友，朋友们也将其视作笑话，或删除或转发，全然不放在心上。然而恐怖居然降临，是夜，约翰尼被人残忍杀害。邪恶变态的锁链杀人魔越走越近……
With his alimony spent on his younger wife Gloria, Vince’s former wife Ellen moves back in with son Mark. While a diner waitress dates Mark and takes advantage of Vince, Ellen hopes getting over Vince by dating his lawyer Jerry.
楚帆（陈锦鸿饰）和楚慈（吴卓羲饰）俩父子虽然生活在同一时代，可内心所处的时代却相隔颇远。楚帆依旧怀念着过去六十年代的旧时光，怀念那个时候的人情世故；而楚慈只觉得当下依然还不够快。在烟草公司工作的楚慈可谓如鱼得水，口齿伶俐的他职位升了又升，薪水加了又加。可作为父亲的楚帆却看不过去，后来楚帆患上了老年痴呆，楚慈不得不加以照料。阴差阳错间，楚慈竟然穿越到了父亲生活的六十年代！父子一下成为了兄弟，故事的舞台是当年的云吞面馆，还有形形色色的租户。起初颇不适应的楚慈该如何应对这突发状况，而父子俩的关系又当有何发展……
山中の炭焼き窯で備長炭の職人として生計を立てている紘の前に元自衛官の瑛介が現れた。突然故郷に帰ってきた瑛介から紘は「こんなこと、ひとりでやってきたのか」と驚かれるが、紘自身は深い考えもなく単に父親の仕事を継ぎ、ただやり過ごしてきたに過ぎなかった。同級生の光彦には妻・初乃に任せきりの息子への無関心を指摘され、仕事のみならず、反抗期である息子の明にすら無関心だった自分に気づかされる。やがて、瑛介が抱える過去を知った紘は、仕事、そして家族と真剣に向き合う決意をする。
电影《金秋喜临门》与《喜盈门》两部影片拍摄时间虽相隔30余年，但反映的都是中国农村家庭处理婆媳、妯娌、姑嫂之间矛盾的问题和爱情问题，同样题材，别出心裁。两部影片分别由韩志君、赵焕章执导，以各自不同的题旨视角、时代观念、风格审美从历史角度前后呼应，形成了影坛历史与当今农村题材影片的姊妹篇，弘扬的都是正能量，央视电影频道对影片认真研究后，决定两部影片联袂播出。电影《金秋喜临门》的所有拍摄场地全都在龙口，主要集中在南山旅游景区、中高协国家队训练中心，下丁家镇上孟家村、下孟家村、于家口村、蒋家村、东莱街道单家村等地。拍摄期间得到了龙口市委宣传部、龙口市文广新局、下丁家镇党委政府等单位的大力支持，原龙口市政协副主席杨德富为影片题写了片名。当年曾出演过《庐山恋》的郭凯敏，出演过《喜盈门》女主角的温玉娟，演员伊春德、马境、郝岩、尚大庆、周博文、关小平等一批新老实力派演员在片中担纲出演了重要角色。
你的家人。你的世界。如果明天一切都消失了呢？如果社会正在崩溃，你会在多大程度上拯救你所爱的人？
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
萨罗（戴夫·帕特尔 Dev Patel 饰）和妹妹、哥哥以及母亲过着相依为命的生活，虽然贫穷艰辛，但一家人在一起相互扶持，日子过得依然温暖而又充满了欢乐。一次偶然中，萨罗同哥哥在火车站走散了，误打误撞之中，萨罗登上了一列开往加尔各答的火车，在那里，萨罗成为了露宿街头的流浪儿，并最终被送进了收容所。
本剧通过女性的视角，幽默地探索一个年轻女性在一个大城市当中的生活，以及女性之间独有的友谊。该剧讲述了Abbi和Ilana，一对年轻的好朋友互相支持、互相帮助、互相在这座残酷的城市中生活下去的故事。
拳打八岐大蛇，打不过就跪倒；脚踢麒麟石距，踢着了再求饶——那个没出息的阴阳师晴明带着跨级碰瓷的勇气和屡败屡战的斗志归来了！虽然衰神附体没得解、乌云盖顶难翻身，但他依然凭着爱与真诚聚拢了越来越多的式神家人和阴阳师伙伴，继续奋斗在状况百出的平安京大地上！