The misadventures of two women and one man living in one apartment and their neighbors.
全俊五（黄政民 饰）是保险公司中的调查员，业务能力出色工作又认真的他深得上司的信任和赏识。某日，全俊五接到一件委托，他来到了一幢阴森的宅子面前，目睹到了悲惨而又恐怖的一幕——一具已经腐烂发臭的男孩的尸体，从天花板上掉落到了地面，而全俊五的客户，正是这名死去的男孩的父母。 经过警方的鉴定，男孩的死因是自杀，但敏感的全俊五始终觉得事有蹊跷，他忘不了在宅子里看到的一幕幕，忘不了男孩双亲眼中所流露出的贪婪的目光。全俊五决定依靠自己的力量私下调查此案，没想到却因此惹怒了沉睡中的恶魔，他一步一步的接近着事件的真相，死亡亦在一步一步的靠近他。
未来世界中，工程工人道格拉斯（Arnold Schwarzenegger 饰）被持续的梦境困扰，那是一系列发生在红色火星上的体验。道格拉斯在广告上发现了回忆旅行公司的介绍，虽然同事警告他这种虚拟旅行可能会危害人类的大脑，但比起亲自去一趟充斥着反政府武装的火星，回忆旅行公司确是一个不错的选择。道格拉斯如愿接受了回忆旅行的服务，但是虚拟记忆的过程突然出现错误，自此一系列不可思议的经历出现在道格拉斯的身上，先是妻子劳瑞（Sharon Stone 饰）向他发起攻击并承认自己是监视道格拉斯的间谍，后来有陌生人出
本片為張徹早期執導之黃梅調作品，故事講述江夏縣令之子田玉川(金峰 飾)為漁家女胡鳳蓮(丁紅 飾)之父抱不平，誤殺總督盧林(井淼 飾)之子惹禍。玉川逃至江邊，走投無路，幸遇鳳蓮搭救，二人相對終宵，情愫漸生，玉川以傳家之寶蝴蝶盃相贈，訂下終身之約……
26岁的约翰·琼斯是名”洞穴探险家”，他喜欢挑战各种不同大小的洞穴攀爬。2009年，琼斯挑战犹他州坚果石灰洞时，不幸陷入一个宽18英寸，深150英尺的洞中，因为洞穴其中一段的空间实在太过狭小，他整个人被卡死。救援人员英勇地援救他，但是琼斯的身体正在一步步地突破极限......
该剧根据同名畅销书改编，主要讲述三个年轻母亲看似完美的生活因卷入一宗谋杀案而被搅得天翻地覆，剧本则将由著名的David E. Kelley创作。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
在一个冰天雪地的国家，漫天白雪笼罩着荒芜群山。一名少女艰难蹒跚，似乎在寻找什么东西。这时，一名光头男子突然出现，向其发起攻击。经过一番艰苦搏斗，女孩终于击败对手，而自己也耗尽了力气，晕倒在雪地中。当她醒来时，发现自己正置身一顶烧着篝火的帐篷中，一名老者救助了她，并且问询女孩出现在这里的缘由。原来女孩曾在城镇中找到一条受伤的小飞龙，她将小家伙带回自己的住所，为之疗伤，并和飞龙成为好朋友。小龙伤愈之后，翱翔天际，谁知这一天竟被一条巨大的飞龙抓走。 不管前路多么凶险，少女决定救回这个难得的好朋友…
1976年前，郑长河无视四人帮爪牙韦立对他的迫害坚持演奏为悼念周总理而作的小提琴曲《一月的衰思》，使韦立阴谋破灭，并赢得了珊珊姑娘的爱心。《生活的颤音》是部音乐故事片。影片通过一对恋人郑长河和徐珊珊在1976年清明节前后几天的遭遇和爱情经历，真实而生动地再现了伟大的“四·五”运动这段波澜壮阔的历史事实。反映全国广大人民群众对周恩来总理的无限崇敬和怀念，对“四人帮”的无比愤慨，以及他们为争取人民民主而付出的代价和牺牲。影片没有复杂的故事情节，也未写惊天动地的英雄事迹，而是从生活入手，以纪实的手法，把人民群众同“四人帮”的斗争融于普通人的日常生活之中，使影片有浓郁的生活气息和强烈的时代感，显得更加真实可信，逼真感人。《生活的颤音》是1976年打倒“四人帮”后，1978年我们党胜利召开了十一届三中全会，全国开始了历史性的伟大转折，在我国电影史上出现的首批优秀故事片之一。影片不仅有很好的思想性，而且有很高的艺术性。具有以下几个特点：第一，影片具有鲜明、强烈的时代特征。第二，影片充满真实、自然的生活气息。第三，把故事情节和优美的音乐有机地交织在一起，以音乐故事片的形式赋予影片浓郁的抒情色彩。第四，采用了新颖别致的电影手法。 《生活的颤音》上映后，受到全国广大观众的爱戴和欢迎。它是西影建厂20多年来第一部获得全国性奖励的影片，它标志着西影进入腾飞的新阶段。也标志着西影和我国电影事业的兴旺发达。 西安电影制片厂摄制
阿龙（莫少聪 饰）服刑四年终于出狱，由于对江湖生活心生倦意，阿龙选择龙凤茶楼栖身，但好兄弟垃圾池（周星驰 饰）很快拜访，又让他开始游走在帮派的边缘。为帮垃圾池的舞女情人出头，阿龙邂逅了舞小姐凤（陈雅伦 饰）和June（陈加玲 饰），凤出污泥而不染的气质令阿龙着迷，自此用心追求，不惜付出鲜血代价，终于以诚心抱得美人归。同时，越来越功利化的帮派不再以义气为先，阿龙为保老大坚叔（吴孟达 饰）受伤，却只落得被其他大佬埋怨，不得不以道歉收场，所幸身边还有垃圾池的支持，虽然此人口不择言，总惹凤气闷……阿龙与凤之间的隔阂分歧不仅此而已，这对儿终于走到一起的情侣，还要面临太多的考验……
《害怕你就输了》是一部全新的动作类喜剧竞赛节目，比赛规则非常简单，那就是：不要害怕。 这部剧集拍摄地为爱尔兰山区的一座偏远农场，无知无畏的参赛选手们齐聚于此，通过三场残酷的比赛来测试自己的胆量。如果他们害怕退缩了，就将给自己以及选择他们在比赛中代表自己的主持人带来“痛苦”的后果。