何大宝开着大奔往公司赶，接到秘书甜甜的电话，公司的股东们撤资不合作了，何大宝惊讶的一个疏忽撞倒了前面骑电摩的马大爷，看着倒在地上呻吟的老头，何大壮急切的想要逃逸，被交警抓个现行，大奔被扣，人要他送医院看病。经过检查，马大爷并无大碍，只是受了点皮外伤，何大宝要送他回家，老头居然忘记了地址，无奈他只好把马大爷带回家，匆匆忙忙去取车回到公司，办公室空无一人，满地狼藉，他如雷轰顶站立不稳的赶紧给甜甜打电话，对方已关机，他扑到电脑桌前查询账户，显示为空，他一下子昏倒。何大宝打电话给好友崔大柱哭诉自己的遭遇，崔大柱正在洗浴中心马杀鸡，听见他嚎哭呸骂他愚人节还早，挂掉了手机，接着女朋友也离开了他，随后便去寻找马大爷说的宝藏，一路爆笑不断。
该剧背景设置在北爱尔兰，讲述来自谢菲尔德的19岁主角Jamie成为一艘邮轮的船员，这名得超额工作﹑薪水低迷的主角会上船的原因是她妹妹曾经是船上的工作成员但失踪了，故此他只好亲身来到船上调查。
Lifeanddeathspinsavagelyoutofcontrol.Familiarfacesscrambletosurvivethebrutality,andwrenchingbetrayallurksaroundeverycorner.
以纪实风格为底色，用细腻真实的笔触描绘普罗大众的寻常生活，发现隐秘在都市生活中的“角落”，探寻日益被忽略的、简单而真切的“关系”，展现人世间最朴素最真挚的情感。角落总有生活的解法，11月腾讯视频，跟随故事探访人细品生活纹理。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
日本超模冈本多绪、歌星安倍春香加盟亚当 舍曼新电影《她只是一道掠影》(She rsquo;s Just A Shadow，暂译)。影片讲述了东京地下黑帮的故事，一个女性为主的犯罪团伙卷入了一场混乱的枪战 ;这是导演亚当 ;舍曼的第三部影片，电影充满了日本元素。具体上映日期还未确定。
钟家和祝家世代为仇。一年前，重病在身的祝七爷临死前派人将纪家灭门，所幸钟家少爷钟良大难不死，但一颗子弹却留在了他的头中，并且不断擦去他的记忆。祝七爷随后病死，祝家从此也只留下一女，名为祝岚。为了在彻...
April, 1986. Pripyat, Ukraine. A core meltdown occurred at Reactor 4 of the Chernobyl Power Plant. Over thirty people died during the blast but the estimated death toll as a result of the radiation fallout will reach a four-digit number. This accident will be considered the world's largest ecological disaster. Set at ground zero of a catastrophe, this film will reveal the detai...
身着燕尾服一本正经的钢琴家汤姆走上舞台，与乐队合作为观众演奏李斯特的《匈牙利狂想曲》。专心致志的汤姆丝毫没有料到，一位不速之客将打乱它的表演。 此时此刻，小老鼠杰瑞正在钢琴内高音区睡觉，汤姆的演奏搅扰了它的睡眠，生气的杰瑞索性起身，干扰汤姆的演出。汤姆一面要应付小杰瑞的捣乱，一面又要努力演奏，手忙脚乱，应接不暇。在杰瑞的捣乱下，整场演出妙趣横生，当然对汤姆来说这无疑是一场恶梦…… 本片荣获1947年奥斯卡最佳动画短片奖。
《博基亚家族》讲述意大利博基亚家族在欧洲大陆呼风唤雨的故事，背景设定在 1492年。Jeremy Irons扮演教皇亚历山大六世。该剧用来接替本季大结局的《都铎王朝》（The Tudors），2011年春季播出。演员信息: Jeremy Podeswa加盟Showtime新剧《博基亚家族》（The Borgias）。 该剧讲述文艺复兴时期博基亚家族在罗马教廷政治派系斗争中的兴衰成败。他将主管第一季（10集）的剧情创作并导演其中的两集。与此同时，年轻的加拿大演员François Arnaud将扮演教皇Rodrigo Borgia（1492年）的儿子Cesare Borgia，一个冷血无情的政治阴谋家。Colm Feore将扮演Rodrigo Borgia的死敌、红衣主教Giuliano Della Rovere。该剧2011年播出。 Sh...
Yothin是名军官,被Alisa公主的哥哥俘虏了。他们讨厌彼此，Alisa在哥哥的允许下全权控制Yothin。Yothin被囚禁在宫殿旁的房子里，一个人住在那。Alisa公主对他很好,但他讨厌她和她的哥哥。Yothin很爱他的女友Pirumya，Pirumya不知道他在哪里。 一天晚上，宫殿里举办舞会，Alisa公主被要求和Yothin跳舞。他们虽一起跳舞，但Alisa离Yothin很远，而且没有握紧他的手。Yothin告诉她他们应该靠得近些，还是和他跳舞令她感到耻辱。他们跳得很亲密。另一件事使他们更喜欢对方。 有一名皇室成员喜欢Alisa，但他有很多女人。Pirumya恨Yothin没有遵守他的承诺，如果她嫁给别人不是她的错。后来她嫁给那个花花公子。后来，那人对她很不好，因为他真正喜欢的是Alisa。Alisa不喜欢他，所以他绑架了Alisa。他...