清朝时，由岳飞创立的形意门一派勇于抗清，朝廷鹰犬任天化（任世官 饰）武功高强，四处搜寻形意门高手陈鹏飞（田俊 饰）。僻静的青龙镇上，隐姓埋名的陈鹏飞和孙子陈兴龙（成龙 饰）每日辛勤练功，陈鹏飞为了避免暴露身份严令兴龙惹是生非。这日，兴龙上街赌钱显露身手拆穿庄家骗局，当地富户随即邀请兴龙到自己的武馆中担任教头。兴龙将武馆改名为形意门，又隐藏幕后替馆主料理各方挑战者。青龙镇的形意门名声渐起，将任天化引来，懵然不知的兴龙将任天化一行引到家中，任天化将陈鹏飞杀害。幸有陈鹏飞好友八脚麒麟及时赶到，兴龙才免于一死，自此兴龙跟随八脚麒麟苦练武功，矢志为爷爷复仇……
著名宗教大师到亚洲国家博玛向信众演讲，同行的包括一班高僧及随从，以及他年轻漂亮、且身手不凡的私人女保镳亦凡（Phoenix V.）。 保安总指挥（林栋甫）奉命接待到访的大师。叛军组织 PLM 深知道大师一行人来访会对他们的计划不利，即派人暗杀大师；亦凡虽及时赶到但大师仍不幸被刺客所伤。身受重伤的大师必即时接受手术，然而他的血型非常罕有，境内拥有同类血型的人寥寥可数……PLM 的首领林朴（任达华）得知捐血者名单后下令得力助手君狄（裴蓓）逐一追杀他们。 眼见时候无多，大师的女保镳亦凡决定独自到连军队也不愿派人去的 PLM 占领区，寻找最后的一个生还的捐血者－一个酗酒、颓废的前特种部队成员尊狄勒文。 尊对亦凡起初不加理会，但当他们被 PLM 袭击时，他不得不相信亦凡的说话，性格背景截然不同的二人展开了惊心动魄的旅程，他们用尽所有方法避过 PLM 的追杀，务必要在12小时内赶回首都医院。旅途之中，二人渐渐建立了默契及感情。二人终于及时到达大师所住的首都医院，而一班 PLM 杀手亦正在等待他们……
《男人之苦》系列的第三集。寅次郎在叔父、母和妹妹的慫恿下，又回到了柴又老家。兩老為了要他留下來，想出了一條絕世好橋。給他做媒，把女孩子一個又一個地帶來跟他相親，但結果連兩老也出乎意料之外 - 寅次郎自己做不成新郎哥，反而總是撮合了對方的一段姻緣，而且老是害得叔父、母破財埋單。寅次郎黯然繼續上路，但才不過一段路的過程，便又自作多情，墮入愛河‥‥
从意大利返家的途中，汽车坠落在海边悬崖的树梢上。被困树梢的汽车，面对饥饿酷暑、吸血鬼噩梦，主人公亨利罗比尔等三人是如何自救的呢？法国著名喜剧大师路易德菲耐斯演绎一场场令人捧腹大笑的法国式搞笑事件！
年轻的黑人妈妈凯拉遗弃了她五个月大的孩子。第二天清晨，孩子以赛亚被发现。经过一系列繁复的法律程序之后，玛格丽特成为以赛亚的妈妈。戒毒成功后，凯拉要把儿子从别的女人怀抱里夺回来。
犬夜叉剧场版超越时空的思念全集动画故事讲述了在很久以前(大约在犬夜叉被封印之前的200年前)，中国大陆妖怪(忽必烈汗)的飞妖蛾率领妖怪军团攻打日本，当时由支配西国妖怪的犬夜叉的父亲迎战，经过一伦激战，犬夜叉父亲成功击退了他们，同时用自己的牙将飞妖蛾他们封印；但是当戈薇回到过去将犬夜叉之封印解除及不小心用箭将“四魂之玉”弄碎并且碎片分散至四方，其中有一块碎片飞至飞妖蛾的妖怪被封印的地方，令飞妖蛾儿子玛瑙丸苏醒并继承父亲的妖力，于是他便找犬夜叉报仇。目的不是夺取“四魂之玉”，而是要狙击持有铁碎牙的犬夜叉(相信是玛瑙丸为报复犬夜叉父亲用他的牙封印飞妖蛾一事)。 当犬夜叉及戈薇等人像平时在寻找“四魂之玉”碎片的旅途中时，途中受到袭击，经常陪伴珊瑚的云母被玻璃控制；为救珊瑚而使出风穴的弥勒，竟然被琉璃复制“风穴”的能力，珊瑚和弥勒还差点被琉璃的风穴吸进去，幸好枫婆婆及时出现并要箭赶走她们…… 另外玛瑙丸却亲自找犬夜叉挑战，而且玛瑙丸手持的剑居然能令铁碎牙回复原状，犬夜叉经过几次打斗后竟然不敌被打倒，而玛瑙丸正想拾起铁碎牙时，却被它的结界所伤，于是便带走戈薇…… 戈薇被带至他们的巢穴，她更被玻璃用头上的玉与四魂之玉结合成一块红玉放在她的额头上。戈薇清醒后初时没有什么问题，直至犬夜叉救了她后，与及玛瑙丸取得新的力量后，戈薇整个身体被玛瑙丸控制，没有知觉的她竟然出手攻击犬夜叉与及用箭射他(重复桔梗用箭射犬夜叉封印在御神木上的历史！)后来戈薇回复知觉时才知道自己所做的一切，此时桔梗突然出现并责备戈薇，更将她推落食骨井令她永远不要见犬夜叉！ 到底犬夜叉会否真的被封印？戈薇能否回到古代？珊瑚与弥勒怎样去应付琉璃与玻璃呢？苏醒了犬夜叉能否打败新力量的玛瑙丸呢？
朝廷寻宝队押元祐党人前往徐州境内寻元祐党宝藏，芒砀山寨主樊瑞探得这一消息，派人去劫寻宝队准备携藏宝图作为见面礼投奔梁山，而公孙胜也奉梁山之命前来解救元祐党义士，当他赶来之时，寻宝队已被樊瑞抢先劫走押回了山寨，樊瑞见是梁山好汉不禁大喜，于是向公孙胜献出截获的藏宝图以表投奔之心，不想公孙胜打开藏宝图一看却发现宝图是假的。梁山众好汉逼樊瑞交出元祐党义士，樊瑞恼羞成怒和梁山打了起来，最后公孙胜设下石头阵将其擒住，公孙胜拷问寻宝队才知这里根本就没有元祐党义士，他们竟是被人雇佣的。原来真正的寻宝队早被知府侯占灭口，并已派出手下秘密按藏宝图前去寻宝，元祐党义士也遭囚禁，给芒砀山放出消息的也正是侯占，他精心预谋让樊瑞来当这件事的替罪羊，为挖开藏宝地点的山洞，侯占又故弄玄虚弄走一队囚犯并嫁祸给了樊瑞。公孙胜分析整件事情断定这是一个陷阱，樊瑞为了向梁山好汉证明自己的清白，开始调查事情真相。左御使奉命来徐州调查寻宝队失踪之事，却被侯占设计愚弄蒙蔽，认为寻宝队是被芒砀山混世魔王樊瑞所劫。公孙胜决定从左御使这里寻找元祐党义士的线索，他施计接近左御使并取得了他的信任。樊瑞根据一系列线索逐渐查出所有事情的幕后指使就是知府侯占，却不小心打草惊蛇，侯占设下圈套在凤仙楼宴请左御使欲引樊瑞现身来将其灭口，樊瑞中计前往，幸得公孙胜的巧妙制止樊瑞得以脱身。公孙胜探到牢房有瘟疫被封锁的消息，他与樊瑞迅速将疑点转向牢房，为了将功补过樊瑞主动请缨要求去牢房一探究竟，两人约定有情况会以信号弹联络。原来弄去挖宝的囚犯被落石砸死，侯占意识到藏宝地有机关，只好封闭牢房暗中向藏宝地输送人手挖宝并押元祐党人前去破解机关，混入囚犯队伍的樊瑞正被侯占手下带至宝藏地点，在这里他终于找到了元祐党义士，趁众人不注意他偷偷放出信号弹。樊瑞与侯占手下斗智斗勇，终于救下险境中的元祐党义士，但他们却遭到侯占众手下的围攻，危急时刻，梁山兵马赶到相救。与此同时，启程回京准备上奏的左御使被公孙胜施计留住并给以宝藏之暗示，左御使应暗示带兵来到藏宝地点，看到被绑的侯占手下，他终于明白了整件事情都是侯占在搞鬼，将侯占等人押送京城审问。樊瑞感谢公孙胜留住左御使得以将侯占的罪行公诸于世，就拜公孙胜为师投奔梁山而去。
机器人安德鲁（罗宾·威廉斯 Robin Williams 饰）是尼尔家四代人的管家。原本尼尔一家只是当他一部机器来使用，但大家渐渐发现安德鲁不只是一个家务机器这么简单，他在日常还会和他们一起欢笑，懂得人类的习俗，体会人类的情感。 安德鲁在尼尔家的女儿很小的时候就喜欢上她了，但由于他没有安装感觉模块，他任由她嫁给了一个错误的人。由于没有感觉，安德鲁可以在海边独自一人盖一栋房子生活。直到某天，他遇上了机械专家、科学狂人，为他安装上了感觉模块。 至此，安德鲁才体会到什么是吃醋、什么是恋爱。经过一番努力，安德鲁终于完全融入了人类社会。最终，他和自己相爱的人得以长厢厮守，并在垂垂老矣时幸福死去……©豆瓣
2012年12月20日に発売されるコミックス第16巻プレミアムアニメDVD付き限定版に収録予定（約20分）。内容は「ロマンチカ」編、「エゴイスト」編、「テロリスト」編の3本立て。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
好郁线上看,好郁在线观看,一个亦真亦假的香港，三名实实在在的女子之间疑幻疑真的性爱感情。当空间愈来愈少，我们愈来愈穷，科技愈来愈快，沟通愈来愈难，我们如何表达欲望与爱？Zero不断做工又转工，陳国产有口难言，Nicole只享受
阿祖（刘德华 饰）母亲逝世后，父亲（秦沛 饰）管教方法不当，父子俩的关系疏离。阿祖离开家独自生活，生活状况并不如意，幸好有女友阿仪（梁咏琪 饰）在旁鼓励照顾。阿祖一向喜爱赛电单车，但他性格要强，一次与父亲车队中的大伟（吴大伟 饰）比赛，结果阿祖在比赛中受伤了，昏迷了十天。女友悉心照顾并劝他以后不要再赛车了，于是阿祖康复后便决定放弃赛车，好好经营修车店。可是好友嘉乐（钱嘉乐 饰）在一次与大伟的比赛中身亡，事件令阿祖的初衷改变了，阿仪却失望离去……