200年前，超元世界的人类和来自其他世界的怪兽发生了战争。为了对抗强大的怪兽，人类发明了超元卡装置，将怪兽封印在超元卡中，结束了战争。主人公云天曾是一位热爱超元卡比赛的少年，但是体质特殊的他无法控制好超元卡中的怪兽能量。一天，他意外从爸爸发掘的古遗迹中获得了一个神奇的卡盒。云天决定前往寻找4张传说超元卡，希望用向超元卡许愿的方式找回哥哥。就这样，云天告别了父母，踏上旅程。
Martin is an Economy teacher, one day, he win the biggest prize given on TV: 3 million € in objects; that is to say, a new luxurious mansion, 5 cars, a yacht, a plane... But he has not the money to keep everything. He should sell something, but the gree
成宇(董子健饰)在一次朋友饭局上意外得知，刚分手不久的前女友竟然要结婚了盛怒之下，成宇即刻飞往曼谷，想大闹婚礼；没想到落地后霉运连连，更因丢失护照无法入住酒店。潦倒之际，一个号称捡到手机的神秘女生小幂(杨幂饰)打来电话。小幂试图阻止他去闹婚礼，成宇则一心只想拿回手机。在共同相处的一天一夜中，成宇发现小幂似乎对自己非常了解。婚礼当天，小幂在阻止成宇的过程中发生争执，并被他无意推倒受伤。小幂伤心离去，齐远内心被触动，和平地与女友告别，放下过去。却发现，在桌子上的手机，背面伤痕竟和小幂受伤的手臂一样……
蓬莱仙阁，烟笼雾锁，吕洞宾（石维坚 饰）、铁拐李（赵钱孙 饰）、何仙姑（田晓梅 饰）、汉钟离（铁牛 饰）、韩湘子（孙剑 饰）、蓝采和（杨健忠 饰）和张国老（袁之远 饰）七位神仙共聚一堂。席间，铁拐李提议将官宦曹国舅（王夫棠 饰）点化成仙，何仙姑因嫉恨富豪官吏而心生不悦，一场聚会不欢而散。 被贬出宫的曹国舅接连受到七仙点化，却不以为然，直到直谏昏君（宋家琪 饰）再
当邪恶联盟的领导人威胁要摧毁一个叛军星球以获取其资源时，他的女儿别无选择，只能加入叛军一方，为正义而战。
李莲英（黎耀祥饰）与安德海（曹永廉饰）同被前朝老太监刘多生（钟景辉饰）收为徒弟。数年后，李莲英只是景仁宫中侍奉待罪妃子婉太嫔（李诗韵饰）的一名小太监，而安德海却为西宫太后慈禧（米雪饰）身边的红人。御药房太监姚双喜（黄浩然饰）因出宫探母一事得罪总管太监陈福（岳华饰）的舅甥彭三顺（陈国邦饰），险些丧命。幸被李莲英所救，两人结为挚友。太监彭三顺睚眦必报，此后处处为难李莲英。婉太嫔在太监陈福的挑唆下，想起自己皇儿死因的蹊跷之处。恭亲王（张国强饰）不顾慈禧阻拦，一意孤行推行洋务运动。同治帝（梁烈唯饰）年纪尚小，朝中虎视眈眈。清末的紫禁城内忧外患。李莲英如何全身而退，成为一代大太监？本剧为2012年TVB台庆剧。
上古洪荒，仙人修封魔塔并以“无尘神剑”封印魔界。数百年后无尘剑离奇失踪，守护者剑圣（何华超饰演）不愿牺牲自身修为，竟抽离初生的“纯阳之子”忘生的一魂一魄用以封印魔界，濒死的忘生被剑圣师弟酒仙（张德晖饰演）所救。二十四年后，忘生（谢苗饰演）和从小相依为命的少女一一（敬佩饰演），偶遇蜀山女剑侠风若离（诺瑶饰演）三人结伴踏上险恶的除魔之路。与善良的魔村村民之间的纠葛，令忘生感悟到魔物也有善恶之分。
律师敖柏言（陈豪饰）有过一段十分悲惨的经历，这段往事让敖柏言深知权利和金钱的重要，将它们视作人生追求的唯一目标。敖柏言早年生活十分困苦，幸得妻子曾宝琳（邵美琪饰）在背后默默支持，如今，敖柏言在行业内打拼的风生水起，可在曾宝琳的眼中，最熟悉最亲密的丈夫，却日渐变成了一个陌生人。就在曾宝琳和敖柏言渐行渐远之时，敖柏言的同行吕永恒（黄智贤饰）在不知不觉中走进了曾宝琳的内心。再也无法假意逢迎的曾宝琳决定同丈夫离婚，可是就在这个节骨眼上，曾宝琳却遭到了袭击。醒来后，曾宝琳开始怀疑，想取自己性命的，或许正是敖柏言。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
初中生小水相貌平平，家境一般，所以在学校里并不受重视。但是她心地善良，又有一群死党，日子过得倒也开心。某天，她遇见了帅气的学长阿亮（马里奥·毛瑞尔 Mario Maurer 饰），春心萌动，无 法遏制。她喜欢看他踢足球，看他拍照，如痴如狂。上英语课时，她不停地给死党传纸条 表达对阿亮的爱慕。然而，英语老师则指出她除了英语一无是处。回到家，叔叔从美国捎来了父亲的消息，说如果她能考全校第一，就可以去美国。于是，她按下决心要努力加油。某天，小水等人在买饮料时，碰到篮球队员蛮横插队。阿亮挺身而出，为她们教训了对方，并挨了校长的责骂。小水也第一次听说，阿亮的父亲因为射失点球而退役的事情，理解了他心中的隐痛。由于舞蹈队是给美女准备的，所以小水等一干姐妹准备在话剧社大展身手，没想到学长也来到这个社团。两人还扮演王子公主，他们的恋情会由此展开么？……
一場解放與回歸純真的人性試煉。四個英國倫敦的年輕人（兩男兩女）決定到威爾斯偏僻的村舍居住，以身體力行展開當代對性與愛的對話實踐：每個人都能與其他人做愛、可以自由地愛別人、不論其性別。但情慾糾葛下所產生的孤獨、壓抑、忌妒、甚至報復的念頭，要如何面對？如果有個與他們價值觀不同的人闖入這個世界，又會發生什麼事？