小清新和西点蛋糕的搭配会产生怎样的效果？这部包含了青春、励志、希望和追忆交融在一切的故事，告诉我们，其实生活，多甜蜜！ 自小家中开西点店的佐藤果步，一直伴着和果子的豆馅儿香味长大，随着年岁的渐长，这个陪着她一起长大小小和果子店，让小小的果步对自己的家乡，有了小小的失望。 进入点心班的学习，对于果步来说有了人生中的第一次转折：第一次开始专业学习做西点，第一次开始用心去爱自己的故乡，第一次和心爱的人共同奋斗，第一次，太多的第一次在佐藤果步的青春里发生，同时，身边的每一个人，也都在静静的经历自己的人生！ 樱庭奈奈美、桥本爱领衔主演，一个关于西点、成长、希望与追忆的故事，那座一直屹立的煤屑山，市长一直希望建立点心之国的梦想，都和佐藤果步的青春，紧紧的系在了一起。 草长莺飞的4月，除了甜蜜，还梦想什么？
安政七年（1860年）的三月三日，德川幕府控制下的日本迎来了改变历史的重要事件。在鹅毛大雪漫天飞舞的江户城樱田门外，幕府大老井伊扫头直弼（中村吉右卫门 饰）被18名水户藩浪人刺杀，史称“樱田门外之变”。担任护卫的彦根藩武士志村金吾（中井贵一 饰）自感失职，可却求死不能。 因父母代他自杀，故彦根藩命令金吾追杀在逃的五名浪人，将人头祭献在井伊大老的墓前赎罪。在接下来的十三年漫长岁月里，日本内外发生翻天覆地的巨变，明治维新胜利，新政府废藩置县，但这些似乎全与金吾无关，他穿着早已不合时宜的武士装束，执着地追寻那几名浪人武士的下落。殊不知仅存的一人佐桥十兵卫（阿部宽 饰）早已化名直吉，以车夫的身份在城市的最底层求生。两个悲剧的小人物，终将迎来宿命的重逢…… 本片根据浅田次郎的同名短篇小说改编。
瑜伽熊（丹·艾克罗伊德 Dan Aykroyd 配音）和波波熊（贾斯汀·汀布莱克 Justin Timberlake 配音）是杰利石公园的人气动物，在风景怡人的杰利石公园里与众多动物小伙伴们一起生活，并为公园效力。然而时光荏苒，如今的杰利石公园正面临游客锐减的问题，与此同时，贪婪的布朗市长为了筹集资金填补赤字和为己所用，竟决定关闭杰利石公园，并出售土地。面对市长的阴谋和伙伴们的生存问题，瑜伽熊和波波熊决定联合起善良的瑞秋（安娜·法瑞丝 Anna Faris 配音），一同齐心协力，拯救公园。他们开始想尽办法吸引游客，恢复业绩，然而，事情却并非预想中那么简单…… 本片改编自1961年同名动画连续剧。
一个自尊心极强的黑人电话推销员刚在提升业绩方面找到了捷径，便无意发现了隐藏在公司背后的黑暗秘密，他不得不在保持沉 默和说出真相间做出选择。
第二季聚焦直播电商行业的不同岗位，以适龄职场女性为第一主角，记录不同人生阶段的女性从入职开始的真实工作历练全过程，同时深度记录他们的家庭生活，展现当代职场女性在家庭和事业之间的平衡与挑战，彰显其勇敢追求自我价值实现的新时代女性力量，也以其真实处境引发社会对于相关人 群的思考与共鸣。此外，明星观察团将以更加多元、新鲜、激烈、共情的观察视角，全方位探讨当代女性自我挑战、自我成长的全新旅程。
今なお恐竜が棲息するという北極圏の謎の秘境。石油王であり、世界的に有名な狩猟家でもあるＲ・ブーンは、石油探索機ポーラボーラを使ってその秘境を目指す。アメリカのランキン＝バス・プロと、日本の円谷プロが提携した作品で元々は劇場用だったが、全米ではＴＶムービーとして放映。どう見ても日本の山ン中にしか見えない秘境の風景や、どう見ても日本人にしか見えない原始人には目をつぶるにせよ、ドラマ部の脆弱さはいただけない。“最後の恐竜”と渾名される主人公と、秘境で生き延びていたティラノザウルスを重ね合わせる構成も上手くいってるとは言い難い。肝心の恐竜などの特撮はヌイグルミが基本だが、極力、人間の骨格を意識させないような造りになっており、特撮スタッフの苦労の跡は窺える。ランキン＝バス・プロは’７８年にも、日本の特撮を駆使したＳＦドラマ「バミューダの謎／魔の三角水域に棲む巨大モンスター！」（小谷承靖がトム・コタニとして監督）を作っている。
本作描述著一个嫁入新家庭的少妇，老公忙著工作，儿子又很帅。在一次偶然间发现儿子在..，而对这个跟自己年龄差不多的儿子有了幻想……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
郭家驹（潘粤明）大学毕业后创建了一家小型IT公司，但因经营不善负债累累，被迫将公司关闭后，他也失去了女友。不巧的是，在老家福建某个小山村的父亲此时病重，家人要他立刻带女友回去，情急之下，郭家驹租下“三陪小姐”莉莉（李佳璇），要求对方假扮教师冒充他女友回家交差。 两人一路磕碰来到郭家驹的家后，郭的母亲为给其父冲喜，要求两人举行婚礼，没想此举竟真有效，郭父的病情有了好转，莉莉也在乡间体会到从没有过的放松。但因为郭家驹打心眼里瞧不起莉莉，两人的戏越演越别扭，莉莉更在知晓了一个曾与她是同行的疯姑娘的遭遇后，大受刺激决定独自离开。
1924年，中国正处在军阀割据之时，古都西安侦缉队队长马腾云与黑道豪门公子曲大通勾结，为夺取财宝，指使流氓汤占魁杀掉自己相好小翠，并假意派队副何远新寻找线索。何远新在赌场发现扒手六万将小翠的镯子当赌注，就把他拘捕了。一次义演中，何远新结识了京剧武生傅天豪。两人谈及此案，怀疑起曲大通，傅前去打探曲家。曲心知不妙，想让汤躲避，不料汤在客栈被何远新抓获。经六万证实，镯子是从汤身上窃得的。马腾云见势不妙，就借故将何远新调离西安数日，同时又设圈套，买通侦缉队员和六万，诬陷手镯是从傅天豪身上扒来的。傅被捕后受刑惨死，马腾云就扬言他畏罪自杀，接着马又杀六万灭口。何远新回来得知一切，十分震惊。他找到了正在豪赌的汤占魁，逼其交代实情，汤不从被何远新枪杀。何远新又潜入警察局长公馆，命屠局长及袁科长将贪赃枉法、诬良为盗的事实写成口供，屠不从被杀，袁科长为保命而只好从命。袁被吊在市政府门外的树上，胸前还塞着那份口供。李市长对案情已完全清楚，就派保安队长缉捕马、何二人。这时，曲大通旋计使何远新杀马腾云，并将何抓获，但何远新在突围中将曲氏兄弟和曲老太爷先后除掉，他自己去市府投案，最后以死护法。
神秘雪山脚下，因触怒黄大仙，女孩突然中邪变异。为救伙伴胡八一误闯千年黄府，异事不绝的地下诡宅竟阴门大开、灯火通明。一探黄仙庙破纸人屠村之谜、二解黄仙吊魂之法、三斩邪灵刺破满堂高坐“诡”戏飘，台上戏子咿呀唱戏，台下看客双目圆睁无痛无绝，带着深积的怨气，向着胡八一几人步步逼近……