一心执著于舞蹈事业的楚思南（钟汉良饰）和黎莉莉（爱戴饰）是中国拉丁舞界的一对传奇人物。在战胜了所有的对手之后，这对爱人竟然把彼此当做对手，在情感上互相眷恋又互相伤害着。抱着舞蹈梦想的女孩小曼（孙田莉子饰）来到北京。楚思南和黎莉莉的一曲伦巴之舞让小曼深深地震惊了，也点亮了她懵懂炽热的心。然而一次意外事故，让小曼卷入到了楚思南和黎莉莉的情感世界之中。黎莉莉在事故中丧失了站起来的能力，楚思南决定训练小曼来代替她。 国内首部以拉丁舞为题材的电影《斗爱》，谱写了一段交织在汗水与泪水间美丽感人的爱情故事。本片入围第十六届大学生电影节“最佳处女作奖”，并获得第十六届北京大学生电影节“最受欢迎男演员奖”提名。
一个叫金大义的国民党骑兵受伤被俘，被安排在李家崖村。村民都不愿意接受他，只有一位善良的大嫂收留了他。骑兵头目哈胡子是金大义的义父，为寻找金大义来骚扰李家崖，金趁机逃跑，但是受伤未愈的他没跑多远就落在了沟里，大嫂为此四处寻找。村里断粮，金大义偷吃了小羊羔，大嫂获知丈夫牺牲的消息，悲愤的大嫂将金赶出了家门，但金自己回到了大嫂家。金主动承担了帮助村里运粮的任务，并与前来抢粮的哈胡子不期而遇，当哈要枪杀大嫂时，金向哈扣动了扳机。
波吉亚家族第二季如约回归2012春季档。这一次，教皇亚历山大六世的位子看似坐的更牢固了，在他看不见的地方却有更多暗流涌动。新仇旧怨一起来，我在明敌在暗，他还能靠自己的诡诈权术猴得住整个场面吗？ 当然教皇的家人将仍然是故事叙述的核心，只不过这个家族的内部斗争也愈来愈激烈。 Cesare (弗朗索瓦·阿尔诺)和Juan(大卫·奥克斯)兄弟反目。Lucrezia(霍利·格林格)在爱和自我中从极端走向极端。别忘了尤利乌斯二世，虽然他当时还没爬上教皇的御座，But it is known，他的野心终将被写入史书，而其中的细节与曲折，恐怕还得各位看官睁大眼睛看好波吉亚家族第二季……
叶氏集团新任掌门人叶倾城雷厉风行，董事会上不给老董事、老员工一丝情面，本市有三家制药公司的老总相继遇害，退隐二线的叶北归为了爱女安全，雇了好友陆天明儿子陆云做保镖，陆云是特种部队复员兵，精干有能力，开始二人相处并不融洽，在陆云看来叶倾城非常幼稚，安全意识相当差，居然相亲时被对方下了迷药，叶倾城也非常不满意陆云到来，觉得一个陌生男人贴身跟随自己，是对自己私生活严重干涉，二人一翻较量后达成共识，那就是叶什么你开始私生活了，我走开。在一次派对上，生意伙伴某制药公司老总林成栋被杀，这加深了叶倾城的恐惧，年幼时叶倾城心灵受到严重的伤害，那就是目睹母亲惨死在家中，她这时对陆云有了一定的依赖性……
影片以1934年的“广昌战役”为历史背景，讲述了第二次国内革命战争时期发生在原中央苏区北大门——广昌的浴血奋战故事。再现了时代大背景下苏区人民对党和红军的支持和热爱，讴歌了革命先烈为了信仰，不畏艰苦、不怕牺牲、敢于胜利的豪迈气概和革命精神。
由真实事件改编，讲述越南史上第一位连环杀人犯事件。利用“古曼童”传说，以求获得永生。
十年前，吴景昊（李逸男 饰）为救韩菲（天爱 饰）昏迷；十年后，在一个偶然的机会下，28岁的韩菲跨越时空回到了大学开学典礼，遇见了本该躺在病床上的吴景昊，可此时的吴景昊却已经缺失了一部分记忆。韩菲带着种种疑问再一次走入吴景昊的生活，一边与吴景昊继续高甜恋爱，一边试图揭秘两人的命运之谜......
影片为集结了10位导演拍摄的爱情风光短片合集，由于篇幅所限，只选取了其中7段短小爱情故事，12位男男女女将在在美丽的拜城找到他们独一无二的另一半。
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
男子三项竞技是蒙古人自古传承的那达慕。全县最有名的驯马手包勒德欲在全县那达慕上让自己的快马参赛，求丹毕让其三个儿子中的大儿子道尔吉当骑手。但是，二儿子边巴争着要当骑手参赛。……