正在播放: 照亮我 | 第26集

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  • 2023 4.0

    定时开关

    Astoryoftwogirlswhotravelthroughtimeandchangeplacesfrom1922to2022.

  • 2014 1.0

    救火英雄

    平安夜,天气异常炎热,全城莫名诡谲。高负荷运转的发电站危机四伏,消防局严正以待。救火队员各自的满腹心事,让这场“硬战”充满了情感上的纠葛。 何永森(谢霆锋 饰)、游邦潮(余文乐 饰)、叶志辉(安志杰 饰),三人是十年生死兄弟,如今却各怀心事:深得赏识的何永森被调离消防局,心有不甘;叶志辉玩转人际关系,升迁最快;游邦潮生性潇洒,不为人事所累,却遭遇坎坷婚姻。三兄弟间暗藏背叛的秘密更是让关系紧绷如弦。与此同时,内地超级消防员海洋(胡军 饰)前来报到,作为香港消防局“新兵”,遭遇“老兵”培总(任达华 饰)明里暗里的刁难,而他自己也有着一个解不开的心结。 危机终于来临,电站爆炸大火,香港陷入前所未有的一片黑暗。更有一群人被困火海,命悬一线。消防员走进伸手不见五指的黑暗环境,对抗致命浓烟侵袭,既要救人,又要应对手足斗争,还有队里高层为保稳妥的命令不时闪现。究竟是“一命换一命,救一个算一个”还是“遵守指令,以大局为重”。这场火,不只是拯救,亦是兄弟之间的救赎,将心魔而起蒙蔽心智的浓烟挥去。

  • 1960 5.0

    豪侠艳姬

      讲述在1880年期间,希利剧团正進行巡迴表演,而除了表演外他们大部份时间都在逃避债主及警方的追捕,还有一班与他们对抗的民众……                                                                      剧团中的斗气冤家安芝及湯为了留住观众,情急拼命地利用浮夸搞笑的演技去娱乐大众,將疯狂不幸的滑稽遭遇帶到狂野西部。

  • 1994 1.0

    绑架童心

      多多聪明淘气,整天看警匪录相,缺乏母爱的他看不惯父亲与女秘书过分亲昵,于是,策划了一出自己绑架自己的小闹剧,引得父亲暴跳如雷。多多真的被绑架了,父亲开始不予理睬,后来慌忙报案,而多多却与绑架他的二人相处融洽。多多回到家中后,得知母亲在监狱服刑,他很伤心,更无法容忍父亲企图抛弃母亲。多多无奈中又来到绑匪家中。几经波折,多多终于见到了母亲,父亲也来接妻子,一家人终于团聚。两个绑匪自觉地走进监门。

  • 2016 10.0

    幸福本源

    深陷在婚姻的绝望中,Helene Brindel感觉已被上帝所遗弃。伸出手,她触到了那个解救之人,著名的心理学家Eduard E. Gluck,但魅力四射的Gluck必须打败自己心中的恶魔。当他们相知相拥,才发现截然不同的两人已经难以抗拒彼此。迟疑地,他们走近彼此,敞开心扉,发现爱却成为了一场考试,一个承诺。

  • 2022 10.0
  • 2022 4.0

    驴叫

    世界是神秘的,尤其是在动物的眼中。在路上,一头有着忧郁双眼的灰驴EO,遇到了好人和坏人,经历了喜怒哀乐,命运之轮让风水轮流转,把运气变成了灾难,把绝望变成了意想不到的幸福。但在任何时候,它都不会失去自己的纯真

  • 1947 1.0

    丹麦小村教堂

    The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

  • 2000 3.0

    大佬[电影解说]

    在黑帮争斗上失败了的山本(北野武饰),走投无路只能去找远在美国洛杉矶的弟弟阿键(真木藏人饰)。在言语不通的陌生城市里,山本找到了弟弟,但他已经成了不务正业的毒品贩子。必然地,他们卷入黑帮仇杀、势力争斗当中,山本凭着心狠手辣,冷静果断,再身边有忠诚的手下加藤(寺岛进饰)以及黑人丹尼(欧玛•艾普斯饰),剿灭墨西哥贩毒党,不断壮大自己的地盘,四处挑战其他帮会,还拉拢一大黑帮头领白濑(加藤雅也饰)的甘心加盟。但是黑手党已经将目标瞄准了他们,一场血雨腥风的恶斗在所难免。©豆瓣

  • 2011 8.0

    遗骸

    遗骸/史蒂夫奈尔斯的遗体本片根据IDW出版的图画小说写的《史蒂夫·奈尔斯(30天夜)》。仍然是一个令人不寒而栗的postapocalyptic内华达州里诺市,一个奇怪的核实验事故,减少的人口占世界人口的大多数僵尸的幸存者。该集团寻求庇护,在一个空置的赌场和打架。

  • 2013 8.0
  • 2018 4.0

    妖狐传

    神都战神拓跋羽从边塞带回一个九霄灵狐,关押在府内。此后神都屡屡出现死者诡异的奇案。死者均是神都极美的女子。为了平息此事,拓跋羽悬赏千两召集破案能人,降魔师主动请缨,并大胆质疑此事是妖所为,整个神都震惊。降魔师的出现加上战神拓跋羽的追查使得悬案的真相逐渐浮出水面。原来被战神带回的女子真是九尾狐妖,但神都城内连环凶杀案的凶手却另有其人,随着受害者越来越多,侦破案件迫在眉睫。最终经过降魔师坚持不懈的努力,联合所有正义的力量,最终将真正的凶手绳之以法。

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