范大明白（崔志佳 饰）在东北从事着白事行业，与众不同的是，范大明白愿意接纳刑满释放的人，为他们提供工作机会。这一天，一名叫做牛硬朗（宋晓峰 饰）的男人来到店里，抛出了豪华大单——三百万的葬礼，范大明白及团队惊讶不已……在办葬礼的过程中，范大明白和牛硬朗才发现，原来二人之间的渊源不止如此……
在一个毗邻大海的海岬顶端，端庄可亲的柏木悦子（吉永小百合 饰）独自经营一间小小的咖啡屋。不成器的外甥浩司（阿部宽 饰）住在附近，每天和悦子乘船打来清水，烹制咖啡，迎接新一天以及常客们的到来。三十年来爱慕着悦子的谷先生（笑福亭鹤瓶 饰）、因某事和女儿（竹内结子 饰）关系隔膜的龙崎德三郎（笹野高史 饰）、互相看不顺眼的住持和神父，都为咖啡馆增添了无限的乐趣。此外，远道而来的单亲父亲（井浦新 饰）和为生计所迫的小偷（片冈龟藏 饰），在与悦子邂逅后也重新找到前进的方向。永远笑容满满的悦子，似乎坚守着某人的到来
"AmericanConfederate"followsagroupofConfederatecavalry,andagroupofUnion(Federal)cavalry,fromlate1862untiltheendoftheCivilWarin1865.
该剧以单元形式展开讲述女法医“JD宋安妍”（蔡卓妍 饰）在“死因解码研究所”的遭遇为线索，协助警方破获一个个诡异案件，同时试图探寻父亲旧案的真相，并与神秘女子林小美（钟欣潼 饰）、热血探员刘志明（张孝全 饰）之间展开的一系列惊心动魄的故事。女主角“JD宋安妍”因患HSP“高敏症”而拥有极高敏感度的大脑，不由自主全天候接收一切资讯，在不堪其扰的同时也屡次凭借信息储备量非凡的“最强大脑”打开线索关窍，解开悬案谜题。
完美人夫加上娇妻爱女，就一定是幸福家庭喜剧？ 张赫、张娜拉第四度合作，饰演拥有双重身份的夫妻，老公表面上系平凡上班族，实际上系国情院特工杀手，老婆持家有道，热爱做家务，但深藏一个更加惊人的身世秘密。
一天晚上，两个盗墓贼用货车盗走了一个棺材，打算把它卖给外国人。不料在半路上棺材从车厢滑进了H市的自来水厂，使得整个自来水厂的水都受到了污染，而喝了被污染的水的人都会变成“尸兄”。 主角白小飞是H市一个...
正当网络开始风行的大学校园里，外型并不出众的痞子蔡（陈小春饰）对感情认真保守，但他在网络上又表现出热情自信的另一面，能言善道。好友阿泰（张震饰）在不断追逐异性中获得乐趣，颇有心得。 后来痞子蔡在网上邂逅了代号为“轻舞飞扬”的女孩（马千珊饰），之前他从不敢奢望真爱会降临在自己身上。及时行乐的阿泰提醒他网络是虛幻的，劝他不要动情。身陷矛盾的痞子蔡还是选择了与“轻舞飞扬”相见，彼此倍感知心，然而世事难料……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
剧情简介：影片改编自情色片《蜜桃成熟时3之蜜桃仙子》。来自未来的美少女未来到地球寻找好男人的完美基因带回未来世界。朗仔（陈俊言 饰）与他的3名好友在海边租了一间渡假屋温习应付毕业考试，发现四名美女同学千（吉沢明步 饰）、西西、珍（林宜芝 饰）与米亚（米亚 饰）搬到了隔壁。其中最美的校花千，其实暗恋朗仔但却无胆入情关。朗仔回家睡觉，半夜忽然狂风大作。在强压电流中出现一位全裸美少女，自称叫“未来”（吴晴晴 饰），是从2046年经时光机回到2011年，找寻完美基因的，因为在2046年，外星人已用辐射令地球男女失去生殖能力。所以她被派来地球寻找好男人的完美基因带回去延续人类后代......而尾随未来前来的外星人（加藤鹰 饰）却要对这一切加以阻止。最终，未来是否能够成功带着现代优秀男人的基因返回未来呢？
14-year-old Jimmy (played by Tyrell Williams) practices kung fu. For the lion dance, which is performed out on the streets, he is determined to hold the head of the lion. But when his teacher, the sifu, announces the new crew, his dream comes crashing down. He has to make do with the tail end, while the talented newcomer Li Jié (Haye Lee) is given the coveted place. Jimmy does ...
精力充沛、 甘美星际访客瑟琳娜来到地球来满足她最深的欲望，在这个情欲的故事。英文名：Serena the Sexplorer (2013)