艾丽（瑞茜•威瑟斯彭ReeseWitherspoon饰）虽然拥有羡煞旁人的美貌——金发，白肤，高挑，精通打扮，就像一个精美的芭比娃娃。美貌和活泼的性格，让艾丽成为了一个完美的女生。她的男友沃纳（马修•戴维斯MatthewDavis饰）条件也不俗，拥有富贵的出身和出众的外表。两人十分般配，却想不到沃纳根本就没把艾丽当成终身伴侣，在他眼中，艾丽只是一个花瓶，除了漂亮别无所长，于是他考上哈佛法学院之后，甩了艾丽，与旧女友重拾旧爱。艾丽不甘心，千方百计也考上了哈佛，她要用行动来证明自己并非徒有外表。哈佛的学习生活非常枯燥，而且这个金发美人还处处受到歧视。令大家大跌眼镜的是，艾丽竟然机智的干了一番事业。
车王卫锋（释彦能饰）经历姐姐被诈骗集团逼死的痛苦，决意以自己的方式复仇。在冬子（彭天颖饰）等一帮兄弟的帮助下，阿锋为公子哥伟少（王子宸饰）成功改装赛车，并获得信任。只身深入狼窝的阿锋，险些让最在乎他的顾小雪（陈燃饰）受到伤害。他也逐渐发现伟少犯罪团伙肮脏的秘密...
故事发生在遥远的2095年，天空中出现了神秘的金字塔，金字塔中所禁锢的，正是鹰头人身的太阳神荷若丝（Thomas M. Pollard 饰），为了延长自己的寿命和法力，荷若丝逃出了重重禁锢，决定在凡间找一对男女生育自己的后代，被冰冻的太空人尼科波尔（托马斯·克莱舒曼 Thomas Kretschmann 饰）不幸成为了他的目标，最终，荷若丝成功的附在了尼科波尔的身体里。 吉尔（Barbara Scaff 饰）拥有着能够流出蓝色泪水的特异功能，对于自己的与众不同，吉尔感到十分困惑和无奈，更糟糕的是，天赋异禀的吉尔沦为了大型医药企业的人体试验对象，这样一位可怜的女子，成为了荷若丝的目标，命运的齿轮就此开始转动。
年轻指挥家亚德里安（奎姆·古铁雷兹QuimGutiérrez饰）的女友贝伦（克拉拉·拉戈ClaraLago饰）失踪了，活不见人死不见尸，只留下一段视频讯息。郁闷的亚德里安不断被警察怀疑和调查，烦不胜烦之下到小酒馆浇愁，一不小心喝的大醉，受到女招待法比安娜（玛蒂娜·加西亚MartinaGarcía）照顾，两人迅速陷入新的恋情。很快，法比安娜住进亚德里安的大宅，敏感的她时时感到房子里面不对劲，浴室里面好像总有奇怪的声音，亚德里安对此不以为意，但法比安娜开始时时留心，还一度怀疑是他前女友的鬼魂作祟。一天，在卧室更衣的法比安娜拾到一把古怪的钥匙，似乎接近了一个天大的秘密……
天狗食日，极阴之时，龙脉古墓尸虫横行，盘棺血蟒出逃食人，九叔师徒一行也受到僵尸兵团的攻击，小镇惨剧频生。警察厅联合九叔展开紧急调查，被害百姓多身中阴毒，尸身邪戾。九叔师徒暗中走访，在被邀前去诊治中毒的日本人之时，撞破了日本武士团的盗墓阴谋，被日本人绑上刑架处以绞刑。命悬一线的时刻，九叔如何逃出生天斩僵除魔守护国宝？而日本盗墓团伙究竟还暗藏着哪些不法勾当？正邪大战一触即发……
12-year-oldfriends,Marshall,GilbertandAmyaccidentallyreviveamummytheydiscoverinaneighbor’sbasement.TheyaffectionatelynamethemummyHarold,andmustrushtoreturnhimtohisrestingplacebeforemidnightonHalloween.
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
《报复 Reprisal》由艾美奖得奖剧集《使女的故事 The Handmaid's Tale》的执行制作人Warren Littlefield制作﹑Josh Corbin编剧﹑英国学院奖提名者Jonathan Van Tulleken执导， A+E Studios和T he Littlefield Company参与制片。
七煞是紫微斗数中14颗主星之一。七煞是一颗坚毅勇敢的星曜，象征「威勇」，化气为「将星」，主「肃杀」。具有运用帷幄的能力，拥有理智而独立、冲锋陷阵、冒险犯难的特性。本片为邵氏早期经典武侠改编作品。闻风丧胆的七煞会，再次集结各个分坛主，江湖将掀起血雨腥风......
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