因为战争的缘故,安格斯•麦克莫洛(亚历克斯•以特尔 饰)的父亲远征战场。他与母亲、姐姐一起居住,他与父亲感情深厚,每天都期待着父亲能够回家团聚。 安格斯喜欢浩瀚的大海,却畏惧下水游泳。一天他在海边发现了奇怪的石头。原来这是颗蛋,当一条奇怪的爬行动物出现在安格斯的面前时,他惊讶极了。他为这只小动物改名“克鲁索”,克鲁索即使淘气,却十分听从安格斯的话。安格斯把克鲁索当作自己的朋友,精心照顾,但克鲁索越长越大,他害怕母亲要他放弃克鲁索。 这时他们的大房子被军队征用做栖身之地,安格斯便要更加小心了。但还是无法避免的因为克鲁索的淘气发生了许多荒唐事。幸好,安格斯有男佣刘易斯的帮忙,他们把越长越大的克鲁索放进了尼斯湖中。 安格斯时时跑去与克鲁索玩耍,首次在克鲁索的带领下潜入了水底。但生活存在着暗涌,当地人开始发现了克鲁索的存在,想借此成名。就连住在安格斯家中的军队,也误以为巨大的克鲁索是敌方的潜艇,对可怜的它发出攻击,安格斯拼命营救。
《王牌对王牌第七季》是浙江卫视推出的原创室内竞技真人秀节目,由浙江卫视节目中心制作。节目每期围绕一个主题,邀请两支王牌团队,由两队固定队长各带领多名热门IP嘉宾进行PK对战,通过才艺比拼、游戏竞技,决出王牌中的王牌。
东京汴梁八十万禁军教头林冲(李少春饰),陪娘子张氏(杜近芳饰)去东岳庙烧香还愿,遇上奸臣高俅(苏维明饰)之子高衙内(孙盛武饰),贪恋张氏美色,高衙内带一帮泼皮无赖上前调戏,林冲怒火中烧,喝斥高衙内无德,高衙内惧林冲教头威名,悻悻而去。此间碰上从五台山发落回来的鲁智深(袁世海饰),鲁闻林冲乃禁军教头,上前铲棒交量数回合,英雄相惜,二人结拜为兄弟。回到太尉府的高衙内念念不忘张氏的美貌,央高俅帮他遂愿。林冲的朋友陆谦(骆洪年饰)为博高俅父子欢心,献计陷害林冲,诱林冲持刀误入白虎节堂。高俅则以行刺之罪名拘押林冲,剌配沧州......本片根据《水浒传》逼上梁山章节改编。
苏·宝特姆斯(珍妮饰)将丈夫与一个女子捉奸在床,却没成想,她的丈夫被吓到心脏病发离世。苏随即把丈夫尸身埋掉。老公的消失,倒是让苏的名望、地位日益增长。但是苏很快发现,她自己不仅要躲避警察和罪犯,更要对她那迫切想要获得猛料的新闻主播妹妹南希三缄其口。
地球变暖引发的罕见的飓风席卷全球,随之而来的便是惊天大海啸和特大冰雹灾害:艾菲尔铁塔摇摇欲坠,埃及大金字塔土崩瓦解,纽约自然博物馆被浓雾吞噬,美国白宫瞬间崩塌,死伤无数,整个地球瞬间变为人间炼狱科学家罗斯教授组织发起了一支风暴敢死队,他们用生命去争取人类的最后一线生机。而此时恐怖分子的袭击让整个局面更加混乱不堪。就在此时,飓风突然以不可挡之势迅速上升为历史上罕见的特大风暴,难道这真的是世界末日了吗?敢死队将如何拯救地球,人类将如何幸存……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
每个韩国家庭餐桌上都会有一碗简朴的好汤,伴随三位主持人一起在韩国各地探索汤品的历史和演变。
由于基因突变,两兄弟中,弟弟从小体温异于常人,拥有着冰系超能力,而哥哥拥有的则是火系超能力,阴差阳错兄弟二人被分开。哥哥被收养他的日本人培养成了一个强大的杀手,同时中国的一个神秘组织也在联系着弟弟。哥哥受命劫持了弟弟的恋人,再次见面时两人成为了敌人,大打出手之间哥哥认出了弟弟小宇,经历了种种,最终两兄弟顺利相认并联手打败了敌人。
阿信是一个跟不上潮流的屌丝,自从买了一个二手手机后就迷上了微信和自拍,因为家人总是催婚,好友阿勇和郝健就帮他介绍了几位单身女孩见面,最后和佳佳对上了眼,很快就恋爱上了。可是阿信总是迷恋手机,原来他手机上的相册里经常自动出现新的照片,而且照片是一位女孩的,时间长了阿信对照片上的女孩产生了好奇和好感,还找来了好友阿勇和郝健帮忙去找照片中的女孩。她叫白雪,因被男友欺骗了爱情,手机还给男友后又买了一部,因为使用的同一个账号,手机照片同步在两个手机里显示。白雪被阿聪软禁了起来,好友李丹求大家去帮忙救人。白雪能否被安全救出?阿信最后又能如何向白雪坦白?…
乔安娜(朱莉娅·奥蒙德 Julia Ormond 饰)育有两个貌美如花的女儿——弗雷亚(珍娜·迪万-塔图姆 Jenna Dewan-Tatum 饰)和英格丽德(瑞秋·波士顿 Rachel Boston 饰),然而,两个女孩所不知道的是,她们的母亲来自于古老的伯查家族,是拥有不朽生命的女巫,而这神秘又充满了诅咒的女巫之血,自然也在弗雷亚和英格丽德的血管中流动着。 弗雷亚即将和达什(艾里克·温特 Eric Winter 饰)订婚,可很显然,她对达什的弟弟肯利亚(丹尼尔·迪托马索 Daniel DiTomasso 饰)更感兴趣,因为对于弗雷亚来说,肯利亚身上散发出的神秘感有着致命的吸引力。乔安娜久违的妹妹温蒂(梅晨·阿米克 M?dchen Amick 饰)现身了,她带来了一个噩耗,有一群不轨之徒企图断绝查伯家的血脉,而乔安娜必须向女儿们揭开她们的身世之谜。...
一个刚刚从大学毕业的男生前往巴黎寻求一个新的生活和状态,他已经和自己的女朋友分手5年了。在巴黎,他爱上了一个妓女,而此时,他们的稳固的关系才刚刚开始。
苏泸杂技团青年钢丝女演员凌燕,在师傅满堂红和师兄、丑角韩天笑的辛勤培育下,正向钢丝技巧高难度尖端迈进在一次演出中,通过杂技团钢琴伴奏员康迪的介绍,她认识了康迪的同学和朋友艾清波。艾清波是位青年钢琴家,被凌燕妩媚动人的美貌和精湛高超的钢丝技巧所吸引,立即抛弃了康迪,追求凌燕。他为了博得凌燕的欢心,施展种种手段,殷勤地为凌燕谱定了伴奏曲,还主动登门“征求意见”,带着凌燕出入于舞厅、公园。在一个雷雨交加的黄昏,艾清波把一只金壳手表戴在了凌燕的手腕上。凌燕被艾清波的虚情假意所迷惑,沉湎于所谓的“爱情”之中。和凌燕同室居住的康迪完全蒙在鼓里,她万没想到艾清波已经抛弃自己另寻新欢。康迪从凌燕口中得知真实情况以后质问艾清波,艾清波反诬康迪与韩天笑相爱,并以此作为背弃她的理由。其实,韩天笑一直默默地爱着凌燕,但为了使凌燕专心于事业,从未吐露自己心中的秘密。
本站只提供影视资讯页面服务,本站不存储、不制作任何视频,不承担任何由于内容的合法性及健康性所引起的争议和法律责任。
若本站收录内容侵犯了您的权益,请附说明联系邮箱,本站将第一时间处理。
© 2025 enghock.com😄😄 E-Mail: enghock.com@gmail.com😄😄 京ICP备10011097号😄😄
耶~~复制成功